PEORIA, ILLINOIS – Hollywood, California, long considered the entertainment capitol of the world, is now confronting a once unthinkable phenomenon: entertainment rationing. Film plots and ideas are currently stored at a National Idea Bank secure site, deep within an ice cave in Finland. However, managers of this storage facility claim the stocks are running low.
Major players in the film industry from New York to Los Angeles are limiting productions of films, television series’, and on-screen advertisements as demand for original ideas far outstrips supply. There are also anecdotal reports that some consumers are hoarding old films from the 1940s and 1950s to stave off what they view to be an upcoming global entertainment shortage.
At a Costco Warehouse in Modesto, California, yesterday, shoppers grew frustrated and occasionally uttered expletives as they searched in vain for titles that weren’t remakes, parodies, or half-baked anti-war propaganda films.
“Where’s the entertainment value?” an engineer from Sacramento, California, mourned. “You should be able to buy a decent film once and a while. Or at least a movie that doesn’t outright suck!”
“You can’t watch this kind of crap every day. It’s too depressing,” an entertainment mogul said, under condition of anonymity. “We only need one or two films like this per year, but every studio seems to be cranking out the same old dreck. What’s a body to do?”
“Due to the limited availability of poor choices and mind-numbingly stupid movies these days, we are clearly seeing the effects of an idea drought,” said Marty Feldstein, an industry analyst. “Here in Hollywood, we thought the writer’s strike was bad, but the truth is, very few people across the nation even knew it was happening. I’m so ashamed! As a consequence, many Americans have decided to stock up on older, more interesting fare. This has led to a drastic shortfall in the supply of these older films.”
Entertainment consumers said the pitifully obvious limits of the creative community have been laid bare for months, and that box office receipts had been touch and go for over half a decade. Internet postings attributed some of the idea shortages at the production level to insufficient grasp of what makes good entertainment. Whatever the cause, the older stuff was starting to fly off of the shelves, leading to higher and higher prices for good entertainment.
“I mean, how many explosions, strip bars, and chases up the wrong side of the Interstate can you see in a life time?” said Gnarls Burkholdt, a college student from UCLA film school. “Practically every action film features these three elements these days. And, if it’s not an explosion fest, it’s either a pointless movie in French or some anti-Iraq polemic. Who cares? Give me a Gene Kelly or Cary Grant movie any day.”
Sagging plot lines and over-saturation marketing have led to riots in recent weeks in Cannes, France; Berlin, Germany; Buenos Aires, Argentina; and several African nations. The government of India recently banned import of all but the highest quality films from Hollywood’s Golden Era and Vietnam continues is decade-long ban on the films of Jerry Lewis and is considering adding George Clooney’s body of work to the list.
“I’m surprised the Bush administration hasn’t stepped in and demanded limits on the number of these classic films people can own,” Burkholdt said. “I know some neighbors of mine who have seven copies of Charade, four copies of Rio Bravo, and thirteen copies of Gone with the Wind on DVD. If that isn’t hoarding, I don’t know what is! What are the rest of us going to watch? Gigli again?”
The unnamed Hollywood mogul summed it up for us in no uncertain terms: “There have been so many stories about worldwide idea shortages that it encourages people to stock up on older films, whether they be on VHS or DVD. What most people don’t realize is that ideas are rare and precious commodities, so inventories are very short. All we can do is continue to pump out the same old crap until somebody thinks of something new. In the meantime, however, the U. S. Government should fulfill its obligation to the community by limiting households to only one copy of each classic film they buy.”
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